Showing posts with label Across the Universe. Show all posts
Showing posts with label Across the Universe. Show all posts

Tuesday, April 24, 2012

Books for Boys


A college professor of mine once lectured about how it was harder for boys to read books with female protagonists than it was for girls to read about males. I’m not sure I’m going to get her argument right—seeing as how I heard this lecture a couple of decades ago (yikes!), but the gist of it is that most of what we read is from the male point of view, so women from a very early age become adept at seeing though a male lens. (Think of how often you see the word man or the pronoun he. Men for most of history have been the default sex in literature. This likely applies to race too.) When a girl reads a book with a male hero, even if the point of view is first person, she doesn’t have a problem imagining herself in the guy’s shoes. But when boys read a book with a female “I,” according to this professor, it can be jarring.

Who knows if this is true. (For the record, I’m a female.) For research purposes, I did a little survey. Okay, the truth is I asked my teen son this morning while he was eating breakfast:

Me: Does it seem jarring to you when you read a book with a girl narrator?
Son: Um. I don’t know. Yeah. Maybe. I don’t know.

So there you have it.

I’ve heard editors at conferences say that girls will read “boy books” (see Harry Potter) but it’s generally accepted that boys won’t read “girl books.” (Have you ever seen a guy carrying around a copy of Twilight?) Everyone’s looking for what they call crossovers, series like Hunger Games that both sexes seem to enjoy. But for the most part, it’s girl readers who are driving the industry, with some editors giving up on boys all together, saying that boys either don’t like to read or they’re drawn to non-fiction. This trend is not surprising to me. I’ve read a ton of contemporary YA novels, many of which star girl protagonists caught up in love triangles with gorgeous, supernatural guys. Or girl protagonists surviving in bleak post-apocalyptic landscapes while caught up in love triangles with gorgeous, not-supernatural guys. Can’t imagine many boys gravitating toward any of these books.

Not sure where I’m going with this, but I’ve been thinking about it since I finished reading Ship Breaker by Paolo Bacigalupi. This is a book by a male writer about a male hero with a stereotypically masculine-looking cover, all brownish and gritty with a grim guy’s face hovering over an oil tanker. I confess that I probably wouldn’t have picked it up if it hadn’t been for the prominently displayed medals on the cover. (It won the Printz Award in 2011 and was a finalist for the National Book Award.)

Not exactly my thing—with lots of technical description of the inner workings of ships and some violent interactions between our hero and his enemies and a chase on the high seas that echoes the pirate adventures of Treasure Island—and yet, I found myself after a few chapters sucked into the story. It’s another post-apocalyptic novel but one I haven’t quite seen before, a world decimated by super storms and environmental disasters and a poor boy and his crew trying to eke out what they can as scavengers of ruined oil tankers. But the heart of this story is the boy’s growing awareness of the unfairness of life, of the stark differences between the haves and have-nots, and the role that luck and fate and smarts play when you’re trying to survive. Still mulling over the questions raised and glad I gave an obvious boy book a chance.

Okay, so maybe this is where I’m going with this post. Now I’m thinking of other boy books I’ve liked. If you know a teen boy (or a teen girl growing weary of Twilight-related novels) take a look at these:

1.      Ripper by Stefan Petrucha. An orphan boy in turn of the century New York City, who dreams of being a detective, stumbles onto a mystery involving Jack the Ripper. Page-turning adventure with a Steampunk feel. What’s Steampunk, you  might ask? Even after being told numerous times, I still don’t quite get it, but this trendy genre features gadgets and sci-fi-ish urban settings. Think: Golden Compass and movies like Wild Wild West and Sherlock Holmes.
2.      Maze Runner by James Dashner. Clear your schedule for this page-turner. A boy wakes up in a freaky forest at the edge of a maze. There’s a group of other boys, shades of Lord of the Flies, all named after famous thinkers in history. Our hero, Thomas (after Edison) is compelled to figure out the maze and solve the mystery of why the heck he’s there.
3.      Anything by John Green. I’ve blogged about his books before and ended up sounding like a gushing, over the top groupie. I love every single book this man has written. Please Lord, bestow on me one tenth of his talent. See, I’m doing it again. Here, read this for elaboration on John Green’s genius.
4.      Across the Universe by Beth Revis. A good example of a crossover. Book alternates between boy and girl narrators. The girl has been cryogenically frozen on a ship leaving the dying earth for a more sustainable planet. Unfortunately someone thaws the girl out early. The boy is the king-of the ship-in-training trying to figure out the mystery of the girl and the secrets behind the community he’s supposed to govern. (There’s a reversible cover on this one. The “girl” version has a boy and girl kissing ala Sleeping Beauty. The “boy” version has a blueprint of a space ship.)
5.      For the philosophical/questioning kid in your life, try this year’s Printz winner Where Things Come Back by John Corey Whaley, (full review) or
6.      There Is No Dog by Meg Rosoff (see review)
7.      Like history and/or mythology? Check out Tracy Barrett’s latest novel The Dark of the Moon, (also a crossover) a cool twist on the myth of Theseus and the Minotaur, and
8.      Alan Gratz’s Samurai Shortstop, about a boy in turn of the last century Japan struggling to reconcile his samurai past with his interest in baseball
9.      A soon to be published novel by the writer of this blog… (I’ve got to clamp my hand over my mouth to avoid spilling the beans yet on this one—the deal I’ve been tiptoeing around for months now—can’t say anything more; promise to reveal all soon, but one teaser: it may possibly star a male narrator…)



  

Friday, October 7, 2011

The End of the World as We Know It: The Latest in Apocalyptic Fiction

When I was in high school, I was convinced I would never make it out. Maybe all teens have a touch of this fatalistic sense—that they can’t possibly ever grow old, that no way can the world keep spinning, especially as you begin to look around and notice what a big mess things are. Wars, natural disasters, disease, never mind the cruddy way people generally treat each other. And teens are very stuck in the moment, thinking that things can never be so horrible as they are NOW, for THEM. When I was a teen, the Soviets shot down an airliner that had strayed into their airspace and the news was talking about how it might be the start of World War Three. The nuclear war disaster flick The Day After came out on TV, and I stayed up late to watch it. I believed that it was only a matter of time before some loony warmonger pushed the wrong button. The signs were everywhere…

But here I am. Older than I ever thought I’d be, raising two teens who are noticing the sometimes sad state of the world and wondering how it can possibly go on like this. My son read Cormac McCarthy’s post apocalyptic nightmare The Road a few months ago and asked me if we should start stockpiling canned goods. I’ve read that book too and halfway through found myself scrolling around on Mormon websites. (They have really good tips on rotating your pantry, in case anyone’s wondering.)

Last week I read the new novel everyone is buzzing about, a YA version of The Road that has the added element of zombies. Like the poor survivors of the apocalypse need anything else to worry about. The book is Ashes by Ilsa Bick and it’s brilliant. I’m giving you fair warning here. If you get your hands on it, clear your schedule. You won’t be able to put it down. Having a well-stocked pantry will help too, so you won’t have to worry about that while you’re reading. Also, you might want to reconsider your squeamishness about guns. Guns are big in this book. You need them to fight off the freaking zombies.

Before I sell you on Ashes, I want to say a word about dystopian fiction (a fancy way of describing End of the World books). This is the latest trend in YA fiction. I don’t know if it’s ever not been a trend. But it’s very big right now and kind of bleeding into other genres such as fantasy and science fiction. These books all have their own take on the apocalypse and/or its aftermath. Here are a few of the really good ones I’ve read lately, in no particular order:

1. The new classic that all of these are measured against is the Hunger Games series by Suzanne Collins. If you’ve been living under a rock, here's the rundown: a sick, gritty society emerges after the end of the world in which kids compete in real-life, Survivor-style games for the entertainment of the privileged. The “lucky” selected boy/girl pairs are thrown onto a nightmare TV show set where they literally must kill each other. It’s horrifying, addictive, thought provoking and masterfully written. And there’s a movie coming out soon. Added bonus: all three books have been written so you can read them all without waiting.

2. Dark Inside by Jeyn Roberts (official release date is November 2011) is a teen twist on Stephen King’s The Stand. The narrative alternates between the points of view of various kids across the country as the end of the world begins. There’s an added pressure of townspeople turning on each other in zombie-like rage. And there will be sequels. In fact all of the books on my list are part of a series. Something that sort of ticks me off. Can’t a book just END anymore? Give the reader a satisfying conclusion? Tie up all the loose ends in one neat volume? Apparently not.

3. Matched and Crossed by Ally Condie. I’ve blogged about these before because they are SO good. They take place well after the apocalypse and society has evolved and/or degenerated to the point that nearly everything is decided for its members, including who they will marry. One girl buys into all of this until she’s mistakenly given two “matches,” which gets her questioning the system and wondering what else the powers that be have gotten wrong.

4. Across the Universe by Beth Revis is dystopian on a space ship. The world is so messed up a few scientists volunteer to be cryogenically frozen and put on a ship for hundreds of years to start anew on another planet. A larger number of volunteers have been running the ship and their descendants grow up not knowing exactly how it all started. One girl who is frozen with her parents wakes up to find that someone has (inadvertently/purposely?) pulled the plug on her. And the ship she’s trapped on is VERY unlike the world she left behind.

5. Ashfall by Mike Mullin. More realistic and therefore more disturbing. The super volcano lying (supposedly) dormant under Yellowstone erupts and destroys half the country. A fifteen year old boy has the bad luck to have been left home alone for the weekend while his parents visit relatives he doesn’t particularly feel like visiting. The book is his horrifying journey to find his family.

6. Delirium by Lauren Oliver. Long after the apocalypse we find ourselves in a world where love is defined as a disease. The solution is some kind of surgery to take away desire. Our heroine is all set for her cure when she falls in love. Teen girls LOVE this book. And adults (okay, just women, let’s be honest here) will read it and remember those crazed romantic feelings churned up when they first fell.

And now to Ashes.

The author Ilsa Bick (and let me just pause to say that I love the name Ilsa) throws her heroine Alex into a non-stop, heart-pounding, terrifying adventure. At the beginning, ironically, Alex's world already feels like it’s over. She has a brain tumor and knows she’s dying. Her parents died years before and because the tumor robbed Alex of her sense of smell, she can hardly remember them anymore (funny how closely our memories and sense of smell are intertwined). On a final trip to say goodbye—Alex is hiking in the mountains to scatter her parents’ ashes—BAM—comes the end of the world. In this case it’s an electromagnetic pulse which destroys all electronic devices and causes most people to drop dead. (Sheesh, do we need another fear?) Throw in a bratty kid and a marine on the run/possible romantic interest. Also add flesh-eating zombies. And a cliffhanger at the end of EVERY chapter that amps up the tension to heights you can’t imagine. Ilsa isn’t totally heartless. SPOILER ALERT: Alex gets her sense of smell back. And possibly a super power. Another warning: there will be sequels. That you will have to wait for.

Not sure what it is exactly that attracts me to these end of the world books. My son, after his class read The Road and his classmates dragged around depressed for weeks, has a theory that these novels aren’t as dark as they appear on the surface. Sure, they take the negative elements of our world to their extreme and terrifying conclusions, but in the end, there is always at least one person standing. See, these books are really about the resiliency of the human spirit. If that volcano explodes or we poison ourselves or blow the planet to smithereens, someone’s going to be left to carry on.

Let’s hope it’s a couple of kids.

With possibly a gun. And some nonperishable food.