Showing posts with label Courtney Summers. Show all posts
Showing posts with label Courtney Summers. Show all posts

Tuesday, September 18, 2018

On Kindness, Friendship, and Rage: Three Books I Love This Week




Adrian Simcox Does Not Have a Horse, by Marcy Campbell, illustrated by Corinna Luyken. 

Adrian Simcox tells everyone who will listen about his beautiful horse, but classmate Chloe knows that he's lying and she sets out to logically prove it, only to realize that she's hurt Adrian in the process and that he may have a horse after all...


This book reminds me of the old classic The Hundred Dresses by Eleanor Estes, which depicts a similar dynamic-- a poor, imaginative girl trying to fit in with her disapproving, mean-girl classmates. I read that one over and over as a kid, feeling the sting each time when the girls learn the truth and are rightfully ashamed. 

Something nice about the ending of this one: the shame is softened by the possibility of a friendship. 

Friendship is at the heart of Kat Yea's The Way to Bea; specifically, it's the loss of friendship and all of the confusion and heartbreak that go along with that familiar rite of middle school passage. Seventh grader Beatrix copes by writing haikus, listening to her playlists, and reluctantly (at first) joining the school newspaper. There she meets a quirky boy obsessed with mazes.


Lots going on in this one about the awkwardness of growing up and growing apart, some hints at parental neglect (Bea's parents are preoccupied with work and expecting a new baby), the power of words and books, and a fun (and somewhat scary) side plot about getting lost in a maze. 

(Don't worry, it all works out) 
It does not all work out in Courtney Summers' new novel Sadie.


This book pretty much killed me. I read it in two nights, filled with growing feelings of rage and grief. The book begins with a podcast about a dead girl and her missing sister, Sadie. What follows is the story of Sadie's quest to find her sister's killer, alternating with updating segments of the podcast. 

I have to admit that I was skeptical at first that this structure would work, fearing that the podcast would interrupt the flow of the narrative. 

I was wrong. Sadie's story builds with such a ferocity, I found that the podcast gave me a chance to catch my breath. 

And you need to catch your breath with this one. You know how there's this thing lately in the news where suddenly, as a society, we are arguing over whether or not to believe women?

Well, guess what, I do believe women, and I am enraged that we are still even having this discussion. If you are one of those skeptical people who wonders what all the fuss is about, read Sadie. 

And then get back to me. 



Saturday, February 22, 2014

Books that Sucked Me in and Blew My Mind

Lately, I have been a good book reading roll, which is a nice roll to be on when you are NOT on a good writing roll. During the day I (mostly) struggle to meet my writing goals, but at night, I know I can curl up with a great book and all is right again in the world. You would think it would not be satisfying to read a good book during the time you fear you are writing a bad one, but you would be wrong.

It's actually the opposite.

Reading "bad" books makes me tired. Each page is a chore. I was reading a book that shall not be named for my book club. The first night I picked it up, read two pages, and fell asleep. The next few nights the same thing happened. I think I got up to ten pages and finally set it aside.

Compare that to how I felt when I was reading Courtney Summers' This is Not a Test.
From the very first page, I was sucked in, and then I was turning pages--but not so fast that I would miss anything. Here's the premise: it's the end of the world. Zombies are attacking the town and the few kids who've managed to evade death/zombiehood hole up together in the local high school. Now, I know what you're thinking: zombies? another end of the world book? Bleh. But this is the brilliant Courtney Summers we are talking about. Turns out the main character had been planning to kill herself that morning and the end of the world feels like a relief.

There is nothing cooler than a thought-provoking page turner and this one had me thinking long after I closed the book: What's the point of living? How do you fight for survival when you don't want to survive? Can a damaged girl on the verge of giving up, find hope in the worst of circumstances? Read a book like this and you are reminded why you write in the first place.

I am not a big graphic novel fan. I should amend that to say I haven't read many graphic novels. If you are new to the genre too, here is a good one to try: Boxers and Saints by Gene Luen Yang.

It takes place during the Boxer Rebellion in China in 1898. It's actually two books, companions, that tell the same story from characters on the opposite side of the war. First, we meet Bao in Boxers and sympathize quickly with his plight. He is one of the Chinese peasants who rises up against the foreigners, many of whom happen to be Christian missionaries. In Saints we see the struggle from the other point of view, a girl named Four Girl, who is drawn to Christianity, but not for reasons you'd expect. When the two meet, it is a moment of horror and heartbreak that I don't think I have ever experienced before while reading a book.

I have been a big fan of David Levithan ever since I read Everyday. His latest, Two Boys Kissing, is stunning and ground breaking.

The main story is two boys decide to break the record for the world's longest kiss. But there are other stories too, of boys going on their first date and a boy who is repulsed by his own sexual identity and contemplating ending his life. The narrator is a Greek chorus of men who have died from AIDs, looking down at the events with sympathy and pity and fear and joy.

I've seen many reviews of this book, but none have discussed the thing that stood out most to me: the most perfect bit of writing I've ever seen--that should be given to any human who ever contemplates ending his own life:

"Sometimes perspective comes far too late. You cannot trust yourself....you cannot live for anyone else's sake. ...you cannot stay alive for your parents. You cannot stay alive for your friends. And you have no responsibility to stay alive for them. You have no responsibility to anyone but yourself to live. 
But I'm dead, he would say to us. I'm already dead.
No, we'd argue. No, you are not. ...your future self is still alive. You have a responsibility to your future self, who is someone you might not even know, might not even understand yet. Because until you die, that future self has as much life as you do."

This book will stay with you long after you close it.

The Knife of Never Letting Go by Patrick Ness is KILLING me.
I've been listening to it on audio and let me say here that audio books are art forms in and of themselves. Whoever is reading this one is awesome. He does various voices, including a dog, and has me alternately laughing and almost crying. Confession: I have not finished listening to this book. I can't think of a time when this has ever happened to me--that I love a book and am completely caught up in it and yet I cannot bear to pick it up again because I am so invested in the characters and so worried about what is going to happen to them.

Brief synopsis: it's a weird world where there's a small town populated only by men. All the women died after some kind of alien virus and the men caught what they call The Noise, the ability to hear each other's thoughts. It's driven most of them to suicide, but the few who are left, are struggling, and this is the world that Todd Hewitt has been born into. When we meet Todd, he's walking around with his dog Manchee, annoyed and bored and so tired of listened to the noise. He can hear the dog's thoughts too but that's not very exciting. The dog mostly says stuff like, "Pooh, Todd, pooh."

Everything changes for Todd when he meets a girl, a girl whose thoughts he can't hear, and that pretty much starts Todd (and Manchee) off on a non-stop nail-biting journey where Todd realizes fairly quickly that everything he's been told about himself and his world is a lie.

Oh my God, I love this dog. Anyone who has read this book, please please please tell me that nothing happens to him. (Shoot. I know something bad is going to happen to him. Which is why I am afraid to keep listening.)

And last, but definitely not least:

Sex & Violence by Carrie Mesrobian.


This novel was one of the finalists for the Morris, (the award given to best YA debut novel), and deservedly so. I finished reading it a few weeks ago and I still can't stop thinking about it. It's the main character Evan--how real and tormented and complex and floundery he is, but it's also the world, this small town in Minnesota, a lake with an island that no one is allowed to visit, and the group of kids that become Evan's first friends.

If you've heard about this book, what you've probably heard about is the edgy topic at the core: the um, sex and violence. It's true. The book is edgy and dark and kind of in your face about it. When we meet Evan, he's settling into yet another school (his single dad--who reminds me of the single dad in September Girls, another great book--moves around a lot, and so Evan never gets to stay in any place too long.) Evan's coping mechanism is to not get too close to anyone, unless you count hooking up with a string of  "easy" girls.

This strategy backfires in a big way when Evan is beaten up by a conquest's ex-boyfriend, beaten up so badly he ends up in the hospital. His dad takes him back to Minnesota, the dad's childhood home, to recuperate, and it is a long period of recuperation for Evan--grappling with a physical recovery and post traumatic stress, but also struggling with guilt and the role he may have played in the events leading up to his attack. There's more here too about father and son relationships, and relationships between men and women, and the true consequences of violence and of sex that may make some readers uncomfortable, but made me so very grateful that a book like this exists to ask the questions.

Highly recommend.

Tuesday, January 28, 2014

The Third Annual Jody-intz Awards (My Take on the Best Young Adult Books)

This year I almost didn't make a list of my favorite books. This year I'VE got a book out and I thought it might be weird to judge the um, competition.

But it doesn't feel weird. Maybe because I don't view other books as competition.

There's room for lots of good books out there. When I read a really good book, I'm thankful for it, inspired by it, grateful that I live in a world where good books are floating around. Now, with my own book floating around, the grateful feeling is exponentially amped up. I walk into a bookstore or a library, and I see my little book on a shelf next to books by writers I admire. (And I must say here that the shelf real estate in the C section is particularly fine. Rae Carson!! Kristin Cashore!! Jennifer Castle!!) I don't think I will ever get used to the idea that something I've written is parked next to books by these authors. And if I ever do, someone, please, slap me.)

Now without further ado--here are the books that I loved last year--the ones that got me thinking and feeling and swooning and sighing and crying--

1. In the nail biter/page turner category The Fifth Wave by Rick Yancey. Yikes is all I can say about this one. Aliens have taken over the world and gone all Invasion of the Body Snatchers on us. This book's got action and heart. Warning: clear your calendar. Once you open the first page, you will not be able to put the thing down until you reach the end.

2. Best Beginning of a Series. Tie between Divergent by Veronica Roth and The Raven Boys by Maggie Stiefvater. Okay, first--Divergent. (Yes, I have come late to this party. The book was released several years ago but for whatever reason it was not on my radar. If you haven't heard of it, you will soon. The movie's coming out in March.) The Raven Boys. Oh, Maggie Stiefvater, how I adore you and everything you have written. Just got back from a long car trip and listened to the second book in the series, The Dream Thieves. Adored that one too. For the uninitiated, this series has action and lush writing and moments that will stop your heart. I was hooked from the very first line: "Blue Sargent had forgotten how many times she'd been told that she would kill her true love."

3. Best END to a Series. Hands down winner The Bitter Kingdom by Rae Carson. This trilogy blew me away. I'm not a fantasy fan, typically, but the strong female lead Elisa drew me in and the complex and non-stereotypical love interest Hector KEPT me in.

4. The Writer-I-Just-Discovered-and-Read-Every-Book-She-Wrote-in-a-Row Award goes to Courtney Summers. JEEZ is the word that sums up Summers. The woman knows how to worm her way into the mind of a tormented and tormenting teen girl. I've read criticism of Summers' books--that the female leads are unlikeable. Maybe. But oh man, you will be viscerally pulled into these girls' stories. My favorite was Some Girls Are. I stayed up half the night reading about how the tables are turned on a "mean" girl.

5.  The Double Punch of Brilliance and Heart Award is a three way tie between September Girls by Bennett Madison, 17 & Gone by Nova Ren Suma, and Dr. Bird's Advice for Sad Poets by Evan Roskos. These books made me FEEL and THINK and had the added bonus of making me forget I am a writer, by letting me simply fall into their stories.

6. I was going to mention Eleanor & Park by Rainbow Rowell in that last category but I think it deserves a category all of its own. I rarely cry while reading books, but this one got me tearing up after reading the Dedication Page. (I'd write the line that made me cry, but if I did, I'd start crying again. So, sorry. You will have to pick this book up yourself and see what all the fuss is about.)

7. Best Twist: What I Was by Meg Rosoff. This book was written several years ago but seems to have fallen off the radar. The main character's a troubled boy at a remote boarding school who develops an intense friendship with another boy, an orphan who lives alone. Things--and people--are not what they seem.  I must mention here that Meg Rosoff's newest book Picture Me Gone is on my TBR stack and I keep hesitating to pick it up--not because I don't want to read it, but because I like knowing that I've got a Meg Rosoff book still to be opened and treasured.

8. Book That Flew Under the Radar and Deserves Wider Readership. The award goes to Jennifer Castle's You Look Different in Real Life, which also wins the coolest premise award. Here's the blurb I wrote on Goodreads:
"Five teens chosen to appear in a documentary film every five years... but it's the voice of the main character, Justine, that pushes this novel into what will surely be readers' Top Ten of the Year lists. Justine is insightful and brilliantly observant--mixed with a bit of biting snark. What's it like to grow up on film? To have your childhood memories edited and manipulated? Is it ethical to portray people's most intimate and heartbreaking moments for an audience's entertainment? Absorbing read that you'll be thinking about long after you finish."

9. And finally, last but not least, in the category of Book I Wish Existed When I Was a Kid Award: Gary D. Schmidt's Okay for Now. This book came out in 2011 and was one of the runners up for the National Book Award--deservedly so. Main character Doug's just moved to a new town, a dump, he thinks, and he's far from thrilled. He's far from thrilled about most things. His crappy family life. School. What looks like a dead end future. The narrative voice is funny, though, so all of this isn't too unbearable. Slowly, readers are sucked into Doug's new life in his new dumpy town, and slowly, he (and we) see that maybe the place isn't such a dump after all, and maybe too, it's how we view ourselves and others that makes all the difference.


PS: Yesterday the American Library Association gave out the official Printz Award for Best Young Adult book of the year to a book I haven't read yet but undoubtedly will:

Midwinterblood by Marcus Sedgwick